Vorträge und Reden

ON TRANSFORMATION: TALKS BY TULAY ATAK & ELKE KRASNY
\ LECTURES \ 21.05.2013 – 20:00 \ CIVA Auditorium, Brussels
\ Introduction by Christophe Pourtois

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2013, Friday May 10,  6:00pm / presented by PublicsAffair + The Centre for the Spatial Realm

98Weeks Project Space: Chalhoub Bldg, Naher Str, off of Armenia Street Mar Mikhael / Ground floor. Near Tawlet Restaurant, facing Spoiler Center dead end street at the corner of Anthurium Flower shop Continue reading…

 

Vortrag von Elke Krasny
Aula der AdbK Nürnberg
Dienstag 16.04.2013 19:00

Das Städtische ist durch Transformationsprozesse bestimmt. Deren Notwendigkeiten und Intentionen, Maßstäblichkeiten und Geschwindigkeiten wiederum unterliegen lokalspezifischen Bedingungen, die von den jeweiligen politischen, ökonomischen, sozialen und ästhetischen Regimen geprägt sind. In diesem Vortrag verorte ich Urban Curating auf zwei verschiedenen Ebenen: auf der der eingreifenden Handlungsmöglichkeiten in der Stadt, jenseits des Museums, und auf der der kritischen Historiographie, die aufzeigt, wie museale Sammlungspraxis zeitgenössisch werden könnte. Anhand von Projekten aus meiner Praxis werde ich unterschiedliche Dimensionen des Urban Curating zeigen.

 

AdbK Nürnberg / Lehrstuhl für Architektur und Stadtforschung
Chair for architecture and urban studies
Bingstr. 60, 90480 Nürnberg, Germany

 

akademie c/o
NOMADISCHES MASTERPROGRAMM/NOMADIC MASTERPROGRAM
Vorlesungsverzeichnis/Programm  Sommersemester 2013

 

nuernberg_www.a42.org_4_2013_akademie_c_o

Elke Krasny : Curating Architecture
02/07/2013 – 13:00 – 14:00

John H. Daniels Faculty of Architecture, Landscape, and Design
University of Toronto | 230 College Street | Room 103 | 1:00 PM
Toronto ON M5T 1R2 | CANADA

daniels-university-of-toronto_1

Exhibitions of architecture are at once discursive and aesthetic operations. As an aesthetic format, exhibitions are temporary and short-term. As a discursive exploration, exhibitions shape the making of architectural history, and equally important, contribute to the general understanding and the theorization of the field in its current discussions. Where then do we find architecture exhibited? A categorization reveals the large number of venues and their inherently different logics. We find architecture exhibited, or on display, in the long history of World Fairs and the comparatively short history, with specific regard to architecture, of Biennales. Architecture exhibitions are on show in specialized architectural museums, but also in city museums, museums of technology, and increasingly in museums of contemporary art. Architecture is exhibited to the public as part of large design competitions and on the walls of architecture schools. But is it actually architecture that is exhibited in these formats and venues? Or is it a challenge for both architects and curators to develop forms which architecture can take on in its exhibited state?

In this lecture, Elke will draw both on historic and contemporary references of exhibited architecture raising the question of how this process of curated communication is situated in-between architecture and the public. In the examples given Elke will show examples of her own work, specifically the research for “The Force is in the Mind. The Making of Architecture” (Architecture Centre Vienna 2008) and “Penser Tout Haut. Faire l’Architecture” (Centre de Design, UQAM, Montréal). She will reflect on her own practice as a curator of architecture and urbanism to give an opportunity to discuss, what Elke would call, the conversational turn in curating and ways in which knowledge is produced actively in dialogue with others. Exhibitions are sites of exchange that require curators to (re)think and (re)shape the processes of knowledge production in dialogue with the architecture, and most importantly the architects.

 

Doing Art in the Public Realm

The shadows cast by the past are growing longer. The identifications with the present time are shattered by numerous fault lines. In the context of globalized artistic and cultural production, history becomes both, a circulating resource and a challenge to specifically address the local. Continue reading…

Das Insuläre. Von den Strategien hypermoderner Raumproduktion
Votrag, 17.11.2012, 19:00, NGBK 1 Etage , Oranienstraße 25, Berlin

Museums-Inseln sind spektakuläre und (sich ver-)spekulierende Verkörperungen des Genius Globi und des Genius Loci unter den Bedingungen des akzelerierten Neoliberalismus und seiner Krisen. Anhand insulärer Raumproduktionen lassen sich die Signaturen einer sich spektakulär in Szene setzenden und gleichzeitig im Scheitern befindlichen Hypermoderne kritisch entziffern.


My Lecture “On Urban Curating. Sharing and Caring – Ethics and Desires in the Public Realm” will take place in Kiev at the Cinema Hall on the GogolFest territory, Vydubychy, Sep 29, 1pm – 3pm, Foundation Center for Contemporary Art, part of the program “SEARCH: Other spaces”


Лекція Елке Красни “Про урбаністичне кураторство”
CSM (Фундація Центр Сучасного Мистецтва)
в рамках дискусійної платформи ПРОСТОРИ ВЗАЄМОДІЇ
запрошує на лекцію австрійської кураторки
Елке Красни
Про урбаністичне кураторство.
Спільне використання та відповідальність – етика та бажання в публічній сфері
29 вересня, субота, 13:00
(Кінозал на території ГогольFest, Видубичі)

Szenario lebenswerte Stadt | Scenario liveable City
Hands-On Urbanism 1850-2012

DQE-Hlle, Heliostraße 35–37, Ehrenfeld
Open: 21.09, 18–22, Eröffnung | 22.28.09. 13–21 Uhr

Dates
So 23.09., 18 Uhr, Vortrag Hands-On Urbanism von Elke Kransy (Kuratorin)
anschl. Gespräch mit Pablo Molestina (Architekt, Professor an der FH Düsseldorf) 

Tate Modern, Starr Auditorium
Saturday 19 May 2012, 10.30 – 17.30

Reflecting on the politics and practices of queer and feminist art curating, this symposium invites presentations from an international line-up of artists, curators and critics to address a set of key questions: how do feminist and queer projects emerge as art exhibitions? Can queers and feminists get along with the institutional art world? And can they get along with each other?

Your conference ticket also allows free entry to the Axe Grinding Workshop on 18 May. Workshop places are limited and will be allocated on a first-come, first-served basis.

This is the final event in the Leverhulme Foundation Feminism and Art Curating International Research Network.

Programme

10.30  Welcome by Marko Daniel
10.35  Introduction to morning session by Lara Perry
10.45  Keynote Maura Reilly Toward a Curatorial Activism
11.20  Q&A with Maura Reilly and Lara Perry

Panel One: Queer Visual Strategies

11.40  FAG: Feminist Art Gallery, Toronto, Allyson Mitchell and Deirdre Logue CAN’T/WON’T
12.00  Lisa Metherell Queer Encounters with Art: (Dis)Orientations Beyond Representations of Sexual Bodies
12.20  Q&A with FAG and Lisa Metherell chaired by Helena Reckitt

13.00  Lunch break
13.55  Introduction to afternoon session by Lara Perry

Panel Two: Queer Collections

14.00  Suzana Milevska Staging the Transgression
14.20  Matt Smith Embedding Queer into Collections
14.40  Q&A chaired by Patrik Steorn

15:10  Tea break

Panel Three: Queer Contexts

15.40  Introduction to final session by Emily Pringle
15.45  Michael Petry, Corporate Queers: suits, ties and pin-striped shirts. Curating in a business environment;
16.05  Pawel Leskowicz, Queering the National Museum of Poland
16.25  Elke Krasny, Queering Memory: Morzinplatz, Vienna
16.45  Q&A chaired by Emily Pringle

17.15  Closing Remarks

Symposion | Museum of Modern Art Ljubljana
Ljubljana, December 01-02, 2011
www.kudc3.org | Stealth.Unlimited | coordinator: Bostjan Bugaric

COMMUNICATON OF URBAN CURATORS | Lecture by Elke Krasny