Kuratorische Praxis + Theorie
8th Belgrade International Architecture Week
LE CORBUSIER REORIENTED JOURNEY 1911-2011
The basis of the exhibition are conversations with architects, artists, activists, researchers and intellectuals in Athens, Belgrade, Istanbul, Rome and Vienna. The cities’ distinct qualities, their architecture and their monuments, and the two terms of the Orient and the East triggered the dialogical exchanges.
The Cultural Centre of Belgrade
PODROOM
Knez Mihailova 6
11000 Belgrade, Serbia
www.kcb.org.rs
Curating Architecture
| Elke Krasny : Curating Architecture
| 02/07/2013 – 13:00 – 14:00
Exhibitions of architecture are at once discursive and aesthetic operations. As an aesthetic format, exhibitions are temporary and short-term. As a discursive exploration, exhibitions shape the making of architectural history, and equally important, contribute to the general understanding and the theorization of the field in its current discussions. Where then do we find architecture exhibited? A categorization reveals the large number of venues and their inherently different logics. We find architecture exhibited, or on display, in the long history of World Fairs and the comparatively short history, with specific regard to architecture, of Biennales. Architecture exhibitions are on show in specialized architectural museums, but also in city museums, museums of technology, and increasingly in museums of contemporary art. Architecture is exhibited to the public as part of large design competitions and on the walls of architecture schools. But is it actually architecture that is exhibited in these formats and venues? Or is it a challenge for both architects and curators to develop forms which architecture can take on in its exhibited state?
In this lecture, Elke will draw both on historic and contemporary references of exhibited architecture raising the question of how this process of curated communication is situated in-between architecture and the public. In the examples given Elke will show examples of her own work, specifically the research for “The Force is in the Mind. The Making of Architecture” (Architecture Centre Vienna 2008) and “Penser Tout Haut. Faire l’Architecture” (Centre de Design, UQAM, Montréal). She will reflect on her own practice as a curator of architecture and urbanism to give an opportunity to discuss, what Elke would call, the conversational turn in curating and ways in which knowledge is produced actively in dialogue with others. Exhibitions are sites of exchange that require curators to (re)think and (re)shape the processes of knowledge production in dialogue with the architecture, and most importantly the architects.
Le Corbusier’s voyage reORIENTed 1911-2011
ARTEFACTFESTIVAL 2013
13-24 February 2013
STUK KUNSTENCENTRUM LEUVEN
www.artefact-festival.be
www.stuk.be
In 1911 Le Corbusier made a reversed ‘Grand Tour’ to the Orient. Starting out in Berlin he travelled to Prague, Vienna, Budapest, Belgrade, Bucharest, Istanbul, Athens, Napels, Rome and back home to La Chaux-de Fonds. The English translation turned his Voyage d’Orient intoThe Journey to the East. In 2011 Elke Krasny (AT) and David Bergé (BE) travelled to Athens, Belgrade, Istanbul, Rome and Vienna and had conversations with local activists, architects, artists and intellectuals focusing on the urban characteristics and transformation, on monuments and the ideologically loaded terms East and the Orient. Le Corbusier’s voyage reORIENTed 1911-2011, follows these narratives: Elke Krasny composed a multivoiced text-based installation and David Bergé a photographic exploration, aiming to capture transitional contemporary urbanities in a complex dialogue between text and image.
Photos of the Installation by Joeri Thiry, STUK Kunstencentrum
How to Identify with Difference?
Doing Art in the Public Realm
The shadows cast by the past are growing longer. The identifications with the present time are shattered by numerous fault lines. In the context of globalized artistic and cultural production, history becomes both, a circulating resource and a challenge to specifically address the local. Continue reading…
ON URBAN CURATING
My Lecture “On Urban Curating. Sharing and Caring – Ethics and Desires in the Public Realm” will take place in Kiev at the Cinema Hall on the GogolFest territory, Vydubychy, Sep 29, 1pm – 3pm, Foundation Center for Contemporary Art, part of the program “SEARCH: Other spaces”
Civil Partnerships? Queer and feminist curating Tate Modern. Queering Memory: Morzinplatz, Vienna
Tate Modern, Starr Auditorium
Saturday 19 May 2012, 10.30 – 17.30
Programme
10.30 Welcome by Marko Daniel
10.35 Introduction to morning session by Lara Perry
10.45 Keynote Maura Reilly Toward a Curatorial Activism
11.20 Q&A with Maura Reilly and Lara Perry
Panel One: Queer Visual Strategies
11.40 FAG: Feminist Art Gallery, Toronto, Allyson Mitchell and Deirdre Logue CAN’T/WON’T
12.00 Lisa Metherell Queer Encounters with Art: (Dis)Orientations Beyond Representations of Sexual Bodies
12.20 Q&A with FAG and Lisa Metherell chaired by Helena Reckitt
13.00 Lunch break
13.55 Introduction to afternoon session by Lara Perry
Panel Two: Queer Collections
14.00 Suzana Milevska Staging the Transgression
14.20 Matt Smith Embedding Queer into Collections
14.40 Q&A chaired by Patrik Steorn
15:10 Tea break
Panel Three: Queer Contexts
15.40 Introduction to final session by Emily Pringle
15.45 Michael Petry, Corporate Queers: suits, ties and pin-striped shirts. Curating in a business environment;
16.05 Pawel Leskowicz, Queering the National Museum of Poland
16.25 Elke Krasny, Queering Memory: Morzinplatz, Vienna
16.45 Q&A chaired by Emily Pringle
17.15 Closing Remarks
Interview with Elke Krasny
HANDS-ON URBANISM 1850-2012. THE RIGHT TO GREEN. Interview with Elke Krasny (curator) and Alexandra Maringer (scenographer). Exhibition graphic design: Alexander Ach Schuh. Video by CastYourArt.com, Eva Stern, Natalia Daukszewicz. Vienna 2012.
