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WRITING / CURATING / MAKING FEMINIST ART HISTORIES

| Conference | Edinburgh College of Art Evolution House 
| 78 Westport, EH1 2LE

www.writingfeministarthistory.wordpress.com

DAY ONE: Thursday 27th March

PANEL 1: Mid-20thC Europe  
Jo Applin (session keynote), Marking Time/Making Time
Giovanna Zapperi, Challenging Feminist Art History: Carla Lonzi’s Divergent Paths
Francesco Ventrella, The Temporalities of the ‘Feminaissance’

PANEL 2: US-UK Contexts
Hilary Robinson (session keynote) 
Andrew Hardman, Lee Krasner and the Pollock-Krasner Studio
Amy Tobin, A Group Show of Our Own: Collaboration and Exchange in Womanhouse (Los Angeles) and A Woman’s Place (London)
Becky Bivens, The V-Girls, 1989-1996

PANEL 3: Interdisciplinary Practices
Chair: Kuang (Vivian) Sheng
Suzanne van Rossenberg, Queer art is about creating the possibility to say no to the dominant hetero-normative economic and political structures of art. Or yes. But to at least write a story about it that replaces an older one.
Rachel Lyon, Empathetic Embodiment: A Response to the Proposals of Lygia Clark
Angela Dimitrakaki, Gender, ArtWork and the Global Imperative (Manchester of University Press, 2013)

DAY TWO: Friday 28th March

PANEL 4: Curating: Practice & Theory I
Katja Kobolt (session keynote), The Living Archive and facets of feminist curating
Ceren Ozpinar, The Art Historical Dynamics of Gender: An Exhibition of ‘Women Artists’
Victoria Horne, Spotlight: Tate

PANEL 5: Curating: Practice & Theory II
Lara Perry (session keynote), The Visibility of the Feminist Curator
Elke Krasny, Curator-as-Carer: Towards a Feminist Historiography of Curating
Georgiana Uhlyarik, Introducing Suzy Lake: The Self in the Age of Selfies

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